Imagine yourself attending a formal concert hall symphony. It goes way beyond the limits of a simple drone: this is ambient music for titans. The album is subtitled 'Quadraphonic Symphony for Orchestra and E-Machines', but SCHULZE was no RICK WAKEMAN (thank God), and his orchestra couldn't hope to compete against the sustained hum of his generators during the awe-inspiring 29-minute opening track. Keep in mind this was during the age (at least in Germany) of the big cosmic drone: think of TD's 'Zeit', recorded in the same year but sounding nowhere near as sophisticated as their ex-drummer's first solo effort. So he traded his drum kit for a small roomful of primitive synthesizers, and proceeded to wage war on the more polite strain of meditative electronic music then coming into vogue. SCHULZE was of course a founding member of both TANGERINE DREAM and ASH RA TEMPLE, a Krautrock drummer in those days but with higher aspirations. Satz Exil Sils Maria (21:26) - Klaus Schulze / all instruments & Colloquium Musica Orchestra The title of KLAUS SCHULZE's 1972 debut album translates, perversely, as 'Will o' the Wisp', an ironic tag for some of the purest, most powerful noise ever recorded. Klaus Schulze - 1972 - Irrlicht Klaus Schulze. Cover-bands frenzied about Rolling Stones to the rock group Psy Free.
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